Works
(also see Bibliography)
Novels
On the Mountain
written 1959, published 1989
Published posthumously on Bernhard's instructions, this is chronologically his first, with an afterword by the translator Sophie Wilkins.




Gargoyles
1967
Translated from the German Verstörung, something like Confusion.





The Lime Works
1970








Correction
1975. A long, dense novel, the review of which by George Steiner in the Times Literary Supplement first brought Bernhard's name to prominence in the UK and USA.




Yes
1978.







The Cheap-Eaters
1980.








Gathering Evidence
1981-82. A substantial collection of five small books of memoirs, reissued in March 2003.





Concrete
1982.







Wittgenstein's Nephew
1982. This short memoir/novel contains advice for writers who equate prizes with artistic worth: "a prize is invariably only awarded by incompetent people who want to piss on your head and who do copiously piss on your head if you accept their prize."


The Loser
1983. The first part of Bernhard's trilogy of the arts, about music.






Cutting Timber: an Irritation
1984. Second part of that arts trilogy,about the theatre; the title has also been rendered as Woodcutters.





Old Masters: a Comedy
1985. The third part of the arts trilogy, about painting; it includes a famous long attack on Heidegger: "that ridiculous Nazi philistine in plus-fours."




Extinction
1986.







The Voice Imitator
Very short stories, 104 in as many pages.

Excerpts from
The Voice Imitator

A review of The Voice Imitator
in the NY Times

and at the
Review of Contemporary Fiction



Three Novellas
Amras, Playing Watten and Walking; June 2003, University of Chicago Press. Walking, originally published in 1971, was recently published in translation by Conjunctions magazine, where an excerpt is available.



Plays


The Force of Habit. Transl. by Neville and Stephen Plaice (London: Heinemann
Performed at the National Theatre, London, in 1976.
Details of that production.
In 2006, an Italian production in Perugia.

The President. Transl. by Gitta Honegger (New York: Performing Arts Journal
Publications, 1982).

Eve of Retirement. Transl. by Gitta Honegger (New York: Performing Arts
Journal Publications, 1982).
Histrionics
1990
Three of Bernhard's many plays: "A Party for Boris," "Ritter, Dene, Voss," and "Histrionics."
Heldenplatz
His last play, surrounded by controversy when it was condemned by former UN Secretary General, Austrian President, and Waffen SS Officer Kurt Waldheim; also published in Conjunctions, No. 33, Fall 1999, but the text in not on line.
http://www.conjunctions.com/conj33.htm .

Poetry

The Lunatics     The Inmates
Text at Conjunctions site in English and in German.

In Hora Mortis
Text at Conjunctions site in English and in German.
   
   
Books about Thomas Bernhard

Thomas Bernhard Werkgeschichte
Jens Dittmar, editor
1992
[in German]
A comprehensive listing of all of Bernhard's writings in chronological order with an extended bibliography and list of translations of his works, included here because of its usefulness to English readers.

L'Objecteur d'esprit Bernhard:
Une transformation

by Pierre Wolfcarius
[in French]
available from Publibook.com

The author describes his book
Thomas Bernhard: the Making of an Austrian
by Gitta Honnegger
2002.

Review




The Novels of Thomas Bernhard: Form and Its Function
by J. J. Long
2001.

Review by Stephen Mitchelmore
of the Long and Honegger titles at Spike Magazine.
A Companion to the Works of Thomas Bernhard
Edited by Matthias Konzett
2000

Thomas Bernhard Portraits: Bilder & Texte
[in German]
by Sepp Dreissinger
1991
available at Amazon.de
Thomas Bernhard. Portraits. Bilder und Texte, edited by Sepp Dreissinger, with an introduction by Wieland Schmied, designed by Erika Schmied and Richard Pils, published in 1992 in an edition of 3333 copies, should not be left off a list even if it is essentially of English-language works. The publisher Richard Pils is owner of the small publishing house Verlag Bibliothek der Provinz located in Weitra, a town of 3000 in lower Austria, far from large cities. The location, an invitation to reflections about globalization and centralisation, explains the 'Provinz' of the name; Richard Pils chose 'Bibliothek' to emphasize that his publishing house was in fact no more than an expansion of his own library. Before meeting Richard Pils, the photographer, founding member (1981) of the Galerie Fotohof in Salzburg, who also edited the book, Sepp Dreissinger, had approached many publishers in both Austria and Germany in an effort to realize his idea of a true portrait of Thomas Bernhard, but in vain: no one was interested, a shocking fact to Richard Pils. In the end he and Sepp Dreissinger embarked upon the project, and after many difficulties and surprising turns of events both bad and good, created this fine book. [Anja Zeidler]

The sensitive and perceptive photos Thomas Bernhard by Sepp Dreissinger enhance the pages of this site, each having a link to the photographer's site. We are grateful to have them even though repeated attempts to request permission have failed. Information about how to contact him will be gratefully received:messages have bounced from all e-mail addresses on his site, about five in total.

 
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